Archive for 2014年1月

10件只有咖啡师能懂的、看了就想打人的事情

10件只有咖啡师能懂的、看了就想打人的事情

这真是一篇只有咖啡师能懂的文章……充满了各种吐槽。推荐看原文。

原文列举的10件事情是:

1. 抱怨你的咖啡没有做对,然后还要跟咖啡师说你“没时间等她们重新做”

2. 把你的咖啡放在吧台上,直到它变得不好喝

3. 点”bone-dry”卡布奇诺(几乎只有泡沫没有液体牛奶的卡布奇诺)

4. 点冰espresso放在大杯子里,然后自己跑到远处的柜台去加牛奶变成一杯拿铁

5. 点单的时候说要饮料“热一些”

6. 去一家不是星巴克的咖啡店然后点“焦糖玛奇朵”

7. 抱怨你的饮料太贵了(这条的吐槽实在是狠到家了)

Listen, you’re probably smart enough to understand that the barista at the register or behind the bar is probably not the one who decides on prices. That shit is out of their control. Moreover, a lot of baristas take their craft very seriously. Hell, they have competitions. This is a fucking art form. Don’t you dare tell an artist that their work is not worth the four bucks you’re paying for it. Especially when it’s made just for you and you get to consume it.

8. 好像自己比其他点普通咖啡的人优越

9. 在确认他的点单问题的时候很不耐烦

10. 在点单的时候讲电话

最后这篇文章的讨论部分咖啡师们纷纷解释了——星巴克的焦糖玛奇朵其实是拿铁但是所有其他人都不知道不在乎的事实。

“The most merci…

“The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.” – H.P Lovecraft, The Call of Cthulhu

This passage pretty much sets up all modern horror. In a handful of words.

 

from quora.

 “Intelligence: What are the most productive ways to spend time on the Internet?”

Lenôtre – Tartelette au citron meringuée.html

Lenôtre – Tartelette au citron meringuée.html

This is the best lemon dessert and meringue I tried.

The Chinese Facial Emotion Recognition Database (CFERD): A computer-generated 3-D paradigm to measure the recognition of facial emotional expressions at different intensities

The Chinese Facial Emotion Recognition Database (CFERD): A computer-generated 3-D paradigm to measure the recognition of facial emotional expressions at different intensities.

高雄医科大学做的3D中国人脸部识别库以及验证研究

The Chinese Facial Emotion Recognition Database (CFERD): A computer-generated 3-D paradigm to measure the recognition of facial emotional expressions at different intensities

Received 21 September 2011; received in revised form 7 February 2012; accepted 14 March 2012. published online 13 April 2012.

Abstract

The Chinese Facial Emotion Recognition Database (CFERD), a computer-generated three-dimensional (3D) paradigm, was developed to measure the recognition of facial emotional expressions at different intensities. The stimuli consisted of 3D colour photographic images of six basic facial emotional expressions (happiness, sadness, disgust, fear, anger and surprise) and neutral faces of the Chinese. The purpose of the present study is to describe the development and validation of CFERD with nonclinical healthy participants (N=100; 50 men; age ranging between 18 and 50 years), and to generate normative data set. The results showed that the sensitivity index d′ [d′=Z(hit rate)–Z(false alarm rate), where function Z(p), p∈[0,1]], for all emotions was 0.94. The emotion was more readily detected in happiness, and less easily detected in surprise and sadness. In general, this study replicated the previous findings on the recognition accuracy of emotional expression with the Westerner faces. However, our paradigm extends the previous work by including a wider sensitivity range to differentiate subtle perception of emotion intensities. The CFERD will be a useful tool for emotion recognition assessment in affective neurosciences research, especially for the Chinese and cross-cultural studies.

Keywords: ChineseFacial emotion recognitionFacial emotional expressionsComputer-generatedDeveloping and standardisation,Intensity3D

 

用来做跨文化研究应该会比较有用,如果它的表情库包含了比较“内涵”的中国人的表情,包括更弱的表情的话,大概会比较有趣?用3D来模拟表情;可惜人种之间的重要特征是眼间距、五官分布的问题。所以如果做跨文化研究的话,还需要一个表情强烈度相当的西方人表情库?

“表情识别”和“表情强度识别”可能是有区分意义的?不知道如何区分“表情强烈程度”?

今天和一位学脑子的同学讨论了一下脸部识别的问题。发现,facial identity recognition和emotion recognition所用的cue是不一样的。现有研究发现identity recognition是通过五官的排列、整体的表现来识别的。emotion recognition则不确定,有可能是通过“部分”,也有可能是通过“整体”来识别的。所以,用mask(遮罩)来研究emotional recognition也许是有意义的?

不过

现代的Ophelia

Kimiko Yoshida

http://www.soulofashopper.com/inspiration/sweet-ophelia/

 

Joan Bevelaqua

Jardins de la Fontaine, Nîmes, Ophélie, Ophelia

Thomas Dodd

Jardins de la Fontaine, Nîmes, Ophélie, Ophelia

Thomas Dodd

 

Jardins de la Fontaine, Nîmes, Ophélie, Ophelia

Elena Kalis

 

Jardins de la Fontaine, Nîmes, Ophélie, Ophelia

René Hallen et Radka Leitmeritz, série Underwater

 

Jardins de la Fontaine, Nîmes, Ophélie, Ophelia

Ellen Kooi

 

Jardins de la Fontaine, Nîmes, Ophélie, Ophelia

Toni Frissel, 1947

Jardins de la Fontaine, Nîmes, Ophélie, Ophelia

Toni Frissel, 1947

 

Jardins de la Fontaine, Nîmes, Ophélie, Ophelia

Alexandre Chatelard, L’homme et la femme

 

 

 

 

Jardins de la Fontaine, Nîmes, Ophélie, Ophelia

Nick Cave and the Bad Seeds

 

http://www.vanyanis.net/portfolio.pl?pf=4#.UtmZLmTFK2w

 

更多http://www.pinterest.com/theapollonia/ophelia/

 

 

古典的Ophelia

Ophelia就是奥菲利亚,因为莎士比亚的哈姆雷特而出名。名剧哈姆雷特中,奥菲利亚最后溺水而亡。于是,Ophelia就有了女神经病、可怜的单恋女子、悲剧的女性的意思。

奥菲利亚是拉斐尔前派的热门题材。

最出名的是这幅,

Ophelia (1872), John Everett Millais
现藏Tate Britain
局部

接下来是这幅
Alexandre Cabanel (1823-1889), Ophelia (1883) 私人收藏

接着是这幅

Eugène Delacroix, 1798–1863; The Death of Ophelia, 1853; H: 23 cm, L: 30 cm; Oil on canvas; Sully, floor 2, room 62;R.F. 1393,现藏卢浮宫。

大图https://www.inkling.com/read/the-louvre-lessing-pomarede-1st/87112eaf90bf47149b879af644dfad81/the-death-of-ophelia-1853

上图和wiki这张同作者但是是1838年作的方向不一致(http://commons.wikimedia.org/wiki/File:Eug%C3%A8ne_Delacroix_-_The_Death_of_Ophelia_-_WGA6197.jpg)

wiki这张现藏于慕尼黑的Neue Pinakothek。

Ophelia, Joseph Kirkpatrick, 1872-1930
Ophelia (1896), Joseph Kirkpatrick, 1872-1930
私人收藏(http://www.bonhams.com/auctions/14979/lot/85/)
大师Waterhouse画了很多张Ophelia,包括下面3张:

waterhouse-ophelia-1910.jpg

John William Waterhouse, Ophelia(1894)

waterhouse-ophelia-1889.jpg

John William Waterhouse, Ophelia(1889)

waterhouse-ophelia-1894.jpg

John William Waterhouse, Ophelia(1905)

接下来是其他大师的:

Carlos Ewerbeck, Ophelia at the River’s Edge (1900)

Paul Albert Steck, Ophelia Drowning (1895)

.
Pascal Dagnan-Bouveret (1900)
全图
全图色偏得厉害。
局部
Arthur Hughes, Ophelia (detail, 1853)
这里有个八卦(http://preraphernalia.blogspot.co.uk/2012/12/arthur-hughes-meets-millais.html),是说Arthur Hughes的画作被挂在Royal Academy的时候,因为同时期的大师兄米勒的奥菲利亚太出名了,于是Arthur Hughes的画作就被挂到了一个超偏远的角落,俗称“禁闭室”。而且挂得很高,理论上,要爬梯子才能看得清。
ArthurHughes承认,他自己爬梯子看自己的画看得很爽。不过,他不喜欢池塘,因为显得像死水一潭。
所以,他画了第二个奥菲利亚:
(大图https://zephyrlee.wordpress.com/wp-content/uploads/2014/01/f487a-ophelia-2barthur2bhughes2b1832-1915_1.jpg,解说http://2.bp.blogspot.com/-1BsRqPM_nS0/ToE48cOJKKI/AAAAAAAACyc/H98C9aiuq2Q/s1600/oPHELIA-aRTHUR%2BhUGHES%2B1852-19152.jpg)
于是这位自己画着爽、与世无争、因为很容易脸红所以被人叫做“樱桃”的cherry同学,不是,是Arthur Hughes同学,就以超高的产量成名了。
接下来是别的:
Thomas Francis Dicksee (British, 1819-1895), “Ophelia”, 1864
大图http://www.flickr.com/photos/7711591@N04/4086685247/
Gaston Bussiere (1862-1929), "Ophelie in Water"
Gaston Bussiere (1862-1929), “Ophelie in Water”
Domenico Tojetti, Ophelia (1880)
Leopold Burthe, 1851

Ernest Hébert Ophelia (c. 1910) 现藏Musée Hebert

Jules-Élie Delaunay (1828-1891)

Ophelia
Ophelia, Trautschold, Carl F. W. (1815-77) (attr. to) / Private Collection / Photo © Bonhams, London, UK / The Bridgeman Art Library
Selous – Mad Ophelia
John Austen (1886–1948) – Ophelia
Ophelia by F.H. Ball,1901
Kristina Nilsson som Ofelia. Handteckning af Alexandre Cabanel.jpg
其他有关Ophelia题材的Link:
http://triggs.djvu.org/global-language.com/enfolded/YOUNG/index.html 含有大量插画以及戏剧哈姆雷特的插画形象
找这些相关题材我已经累死了……还有大量大量的插画……还是等我下一次血条充满的时候再说吧……